Kino hits 2019
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Hier findest du alle Filme aus dem Jahr · Die besten Filme aus auf onjc.se Wir stellen euch die Film-Highlights fürs Kinojahr vor. seine Trilogie mit den beiden Kinohits Unbreakable () und Split () ab. Auf CINEMA Online finden Sie die aktuellen Kino-Top und weitere Charts. Wie alle Bereiche des öffentlichen Lebens sind auch die Kinos von der. Das waren die erfolgreichsten Filme im Kino. von Patricia Batlle. Noch ist die Kinowelt im "Star Wars"-Fieber - es bleibt abzuwarten, wie. Nr. Besucher, €, Kinos, Verleih, Start, Film, Regie, Starpower, Startwoche, Kinos, Schnitt. 1, , , , BV, , Die Eiskönigin II.
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Auf dieser Seite. Der König der Löwen 3D. Das perfekte Geheimnis. Warner Bros. Pictures, Hamburg. Pets 2 3D, Teil 2. Drachenzähmen leicht gemacht 3 - Die geheime Welt 3D, Teil 3.
Captain Marvel 3D, Teil 1. Aladdin 3D, Teil 1. Es Kapitel 2 Teil 2. Once Upon a Time Green Book - Eine besondere Freundschaft. Monsieur Claude 2 Teil 2.
Chaos im Netz 3D, Teil 2 von Ralph reicht's. Leberkäsjunkie Teil 6. John Wick: Kapitel 3 Teil 3. Concorde Filmverleih GmbH, München.
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Permalink Kinocharts , Kino Top Archiv Archiv Kinocharts - Kinocharts der Vorwochen. Kinocharts Kinocharts - Kinocharts , , , , , , , , , , , , , und Until, that is, it reveals itself to be about a crew of filmmakers making an undead horror movie.
And then, it becomes a story about how those artists are in fact overrun by a real zombie threat. Think of it as a ghoulish Day for Night.
Invisible Life is comprised of well-worn elements: impulsive passions, unexpected out-of-wedlock pregnancies, disapproving fathers, controlling husbands, and dreams crushed under the weight of a society that expects women to conform or be cast out into the wild.
Good luck maintaining a dry eye through its wrenching present-day coda. In a refrigerator, a disembodied hand awakens, and embarks on a quest to reunite with its former owner, who we soon learn is Moroccan-born French teenager Naoufel voiced by Hakim Faris.
The rapidly changing global manufacturing landscape is examined through the lens of an Ohio auto-glass plant founded by the Chinese and staffed with men and women from both countries in American Factory.
Cambridge Analytica stole the data of 87 million Facebook users and then utilized it to target swing voters with political propaganda on behalf of clients like Brexit and the Trump campaign.
In doing so, it reveals a terrifying digital new world order where data is the most valuable commodity, as well as the key to conducting psychological warfare on a heretofore unheard-of scale.
Weddings can be a torturous drag for singles, so longtime friends Alice Maya Erskine and Ben Jack Quaid decide to spend their overbooked nuptials season tag-teaming events as platonic dates.
Be it stumbling their way through one ceremony and party after another, or embarking on their own unlikely relationship while dealing with their troublesome parents, Alice and Ben prove to be excellent company, she using booze and a sharp tongue to cope with her loneliness, and he clinging to high standards as a way to avoid commitment and stave off potential abandonment.
As mean, and quite a bit leaner, than its voracious animals, Crawl is an example of B-moviemaking done right. During an apocalyptic Florida hurricane, struggling but talented collegiate swimmer Haley Kaya Scodelario goes in search of her MIA father Dave Barry Pepper , whom she finds in the basement of their old home, wounded and trapped by a swarm of alligators.
Their confined setting is a veritable labyrinth that —as with CGI-ified imagery of storm-ravaged communities — director Alexandre Aja imbues with underlying allegorical heft.
From start to finish, Crawl is the sort of edge-of-your-seat, cringing-with-delight thriller that Hollywood rarely makes these days. In the near future, Major Roy McBride Brad Pitt is sent on a top-secret mission to Neptune, where his commanders believe his renowned father Clifford Tommy Lee Jones — missing for decades on a quest to find intelligent E.
His quest is fraught with literal danger and, also, emotional, psychological and spiritual peril, as Roy searches the heavens for the indifferent father that abandoned him.
Brought to life by Pitt with a wellspring of bubbling-beneath-the-surface pain, yearning and hope, Roy is a man whose steady pulse rate is emblematic of his sorrowful, walled-off remoteness.
Better still, this blistering ode to rubber-burning independence and individuality also gives Miles — a wheelman of unparalleled audaciousness and skill — the rightful due he was denied decades earlier.
Such was the profound existential crisis faced by year-old Alex Lewis when, in , he was injured in a car accident, lapsed into a coma, and awoke to find that he recognized no one save for his twin brother Marcus.
That afforded Marcus an opportunity to rebuild his sibling with stories about their past — some of which omitted crucial events from their horrendous childhood.
With acute empathy and formal eloquence, director Ed Perkins investigates this shocking tale from the perspectives of both brothers, whose bond was forged by love and trust, and torn asunder by deception and betrayal.
The story of two friends who, like their hometown, are in a state of uneasy transition, The Last Black Man in San Francisco affords narrative and aesthetic surprises around every corner.
For skateboarding Jimmie Jimmie Fails , nothing would be finer than reclaiming his childhood residence, a gorgeous Victorian in the Fillmore District that he proudly proclaims was built by his grandfather.
With a lyrical touch that invigorates his often-droll action, Talbot pays bittersweet tribute to San Francisco and the magic of true friendship.
Set free from the company of his remote skating-instructor father Udo Kier , miserable Andy Tye Sheridan — desperate to reconnect with his institutionalized mother — sets out on a trip with Dr.
Wallace Fiennes Jeff Goldblum , who wants Andy to photograph the psychiatric patients he treats with his unique electroshock-and-lobotomy procedures.
Set during the s, theirs is an expedition marked by disintegration and yearning for escape and deliverance, and it ultimately leads to the home of a French healer Denis Levant who wants Fiennes to perform his technique on his daughter Susan Hannah Gross , with whom Andy develops a connected-by-disconnection relationship.
Aided by unnervingly stoic, expressive turns from his leads, Alverson dramatizes this off-kilter madness via compositions of figures trapped in cramped, confining architectural spaces, set to ominous audio tones and blowing wind.
Barren spaces abound, and the French auteur infuses her material with a sense of ominous hollowness, born from longings — for purpose, conception, and reinvention — that remain unfulfilled.
Petra Costa's harrowing and dismayingly timely Netflix documentary presents a country torn apart at the seams, split between citizens in favor of staying the thirty-year democratic course, and those eager to take a turn back into dictatorial extremism.
Costa's connection to her homeland's bifurcated history via her revolutionary parents and wealthy grandparents lends additional urgency to her survey of this tumultuous period of disintegration, in which corporate greed and power turn out to be more influential than the rule of law — or the will of the people.
John Wick dispatches adversaries in a frantic knife-throwing fight, on horseback through the streets of New York City, and with a library book!
No franchise dispenses more crazily choreographed violence than John Wick , in which savagery is carried out with both concussive force and dancer-like grace.
Improving on Chapter 2 , director Stahelski stages his set pieces as exercises in vicious physicality.
Through it all, Keanu Reeves strikes a dashing pose as the increasingly harried and bloodied Wick, his trademark designer suits and walk-softly-and-carry-a-big-gun demeanor once again employed to expert effect in a series that continues, like Reeves himself, to improve with age.
Epitomized by the yin-yang symbol on which many battles are fought, dualities masculine and feminine, light and dark, real and imitation, mortal and ghostly are rampant throughout.
Capitalist modernity, taking the form of the marijuana trade, corrupts a local Colombian culture in Birds of Passage , an ethnographically rich crime drama from Embrace of the Serpent director Ciro Guerra.
Love is fractured and the past is torn asunder in Ash is Purest White , another remarkable saga from Chinese auteur Jia Zhang-ke about individuals trying to plot a course through a rapidly developing nation.
Quentin Tarantino goes back to the Tinseltown of his dreams with Once Upon a Time in…Hollywood , a reverie for that bygone moment when the culture and counterculture collided.
Tarantino lavishes his period milieu, and the mainstream movies and television of the era, with sun-dappled neon-colored love.
His is a conservative celebration of the old at the very moment that the new took over not to mention a wish for a fusion of the two , and an air of wistfulness — and desire to fight obsolescence — permeates the action.
Mixing the class commentary of Snowpiercer with the family dynamics of The Host , Bong Joon-ho takes a scalpel to inequity with Parasite , his scathing drama about a lower-class clan that endeavors to pull itself up from the figurative and literal basement.
Acquiring those positions, alas, necessitates ruining their predecessors, and holding onto them entails even nastier business — as well as enduring the petty cruelty, condescension and selfishness of their employers.
Stymied by health problems and depression, which have brought about creative inertia, Mallo uses a retro screening of a former triumph to mend fences with estranged leading man Alberto Asier Etxeandia , who soon introduces him to migraine-relieving heroin.
Aspiring London filmmaker Julie Honor Swinton Byrne falls for older, cultured Anthony Tom Burke , who has a habit of making every compliment sound self-serving.
Premiering on the 50th anniversary of that momentous event, it utilizes a treasure trove of recently discovered 65mm footage and audio recordings to afford an up-close-and-personal view of the preparations for launch, the men and women toiling behind the scenes to ensure its safety, the crowds gathering to witness history, and the outer-space flight itself, shot by cameras accompanying and sometimes manned by Neil Armstrong, Buzz Aldrin and Michael Collins.
That imagery boasts breathtaking scale, conveying the literal and figurative enormity of everything involved with the Apollo 11 — making it ideally suited for IMAX.
Revelation, resurrection, abandonment and mourning all factor into her haunting story. Haenel and Golino are both phenomenal, the latter particularly so as a Mona Lisa smile-flaunting beauty engaged in a process of uncharted self-definition.
Tragedy comes from rejection, resentment, alienation, rage and sorrow in An Elephant Sitting Still , an intimate epic about Chinese citizens who view themselves as powerless and worthless.
Hu shoots each protracted scene in long, unbroken takes, habitually foregrounding his subjects in shallow focus while staging key action in the fuzzy background.
High in the mountains of an unidentified Latin American country, a band of child soldiers with names like Rambo, Wolf and Boom Boom partake in intense physical training and unique aggro rituals — such as lashing a member for their birthday — while guarding their hostage, an American doctor Julianne Nicholson.
With a light tough that allows for instances of escapist lyricism none better than recurring shots of Gloria spinning amidst swirling colors , Lelio fashions a tender, incisive, heartbreaking ode to the myriad complications of adulthood, where efforts to move forward are burdened by regrets, entanglements and longing for connection.
Matthew McConaughey is the king of bongo-drumming laissez-faire cool, and in The Beach Bum , he assumes the role he was born to play.
Movies and myths collide, both mirthfully and mournful, as Sam strives to uncover the knotty conspiracy-theory connections linking everything and everyone.
From Super Mario Bros. Dark, demonic power courses through Hagazussa , a legitimately evil folk story of inheritance, corruption and damnation.
In the Austrian Alps circa the 15th century, young Albrun Celina Peter tends to her mother Claudia Martini , a supposed witch, in their remote log cabin.
His plan is to sell it at auction for a cool million, and thus settle his debts to brother-in-law Arno Eric Bogosian and his violent associates.
That scheme, however, is mucked up by an encounter with Boston Celtics superstar Kevin Garnett playing himself , a legitimate winner who takes a fancy to the valuable rock, as well as by conflicts with his business partner Lakeith Stanfield , wife Idina Menzel and mistress Julia Fox.
Newcomers Garnett and Fox are great, but the film is ultimately all Sandler, whose embodiment of sleazy, selfish, pleasure-seeking Long Island greed and desperation is outright exhilarating.
Led by a collection of outstanding performances thrumming with adolescent liveliness, longing, regret, resentment and resolve, the film revisits the diverse ups-and-downs of the March sisters.